Gordons blues piano/keyboard books, 100 Ultimate Blues Riffs and the 12 Bar Blues Bible, he has adapted examples from the two books along with new examples into a blues organ book and Ultimate Blues Organ Riffs is the result. 30-Day Piano Success.Due to the high demand of two of Andrew D. And while it is not difficult at all, playing the blues still involves a fair bit of practice to ensure the co-ordination of your left and right hand is integrated.With the largest library of piano lessons online, Jazzedge shows all students, regardless of past experience how to improvise. Mind you, you still have to know what to do, what the structure of the blues is, or your music will not sound very good. Playing the blues involves a lovely mixture of combinations and allows you a lot of freedom to improvise.
Flatten the seventh note, in other words G major, all on white keys. The two worlds constantly meet to produce this wonderful soulful music.If you’d told Mozart that years into the future, people would be playing music like the blues, he’d probably have told you that was not possible but here we are, and it sounds just great.When you’re trying to develop a blues riff, start with a major scale such as G major and change just one note in the chord. Part of the beauty of the blues scales is that they integrate very well with the standard major scales. Gordon's blues piano/keyboard books, 100 Ultimate Blues Riffs and the 12 Bar Blues Bible, he has adapted examples from the two books along with new examples into a blues organ book and Ultimate Blues Organ Riffs is the result.There’s a big misconception that to play the blues well, you need to stick with a blues scales but that’s not actually true. Keep practising this until you play it really smoothly, then you can improvise over the top with the right hand.Due to the high demand of two of Andrew D. In the video, I start with a 12-bar blues in G major to take you through the left-hand pattern first.
Something a little more strategic involves triplet rhythm, which makes things a little bit faster. If you’re ever stuck for ideas, this is a really good place to start. When you flatten the seventh note, you’ll play a B flat instead of a B.
You can just improvise it, using all the white keys in the Mixolydian Mode.Your biggest challenge will be the co-ordination between your left and right hands and that’s what you’ll really need to practice. Play a B flat, a B and a D and circle them in triplets, three times, then you can do whatever you like to finish the phrase. We also hear this a lot in Blues music.
This is a classic trick and it’s so fun. There are some particularly nice phrases you can play with just these 3 notes and combining them with the earlier tricks wil make for a lovely piece of music with some practice.To take things up a notch, you can get a bit rock and roll with it all. Use this as a very effective practice technique.Next we’ll learn to play three notes that work particularly well with the two notes in Trick 3. You only need G and B flat to play interesting rhythms and it’s particularly good if you struggle to co-ordinate both hands as you don’t have to remember too many notes to play with the right hand. The simple things are often the best and the most profound. Never underestimate the difficulty of pulling something off that’s simple, in a concise, convincing way.
Now when you add the left hand, you can hear how you have shifted the gear up a notch to something a little more explosive. Play in triplets just as in Trick 2, then add a C sharp against the D on every 6 th beat. Play a D and a G at the top of the piano where you will get a nice harsher, bluesy sound that you’re not quite allowed to do when you play classical music. But sometimes it’s fun to practice things that are fast and loud.
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